Wednesday, September 23, 2020

Musial
by George Bilgere

My father once sold a Chevy
to Stan Musial, the story goes,
back in the fifties,
when the most coveted object
in the universe of third grade
was a Stan-the-Man baseball card.

No St. Louis honkytonk
or riverfront jazz club
could be more musical
than those three syllables
rising from the tongue of Jack Buck
in the dark mouths
of garages on our street,

where men like my father
stood in their shirt-sleeved exile,
cigarette in one hand, scotch
in the other, radio rising
and ebbing with the Cards.

If Jack Buck were to call
my father's drinking that summer,
he would have said
he was swinging for the bleachers.
He was on a torrid pace.
In any case, the dealership was failing,
the marriage a heap of ash.

And knowing my father, I doubt
if the story is true,
although I love to imagine
that big, hayseed smile
flashing in the showroom, the salesmen
and mechanics looking on
from their nosebleed seats at the edge
of history, as my dark-suited dad
handed the keys to the Man,
and for an instant each man there
knew himself a part of something
suddenly immense,

as when,
in the old myths, a bored god
dresses up like one of us, and falls
through a summer thunderhead
to shock us from our daydream drabness
with heaven's dazzle and razzmatazz.


"Musial" by George Bilgere.

Monday, September 21, 2020

 

In Passing

 

How swiftly the strained honey
of afternoon light
flows into darkness

and the closed bud shrugs off
its special mystery
in order to break into blossom

as if what exists, exists
so that it can be lost
and become precious

 

by Lisel Mueller

Monday, September 14, 2020

 

And Now It’s September,

 

and the garden diminishes: cucumber leaves rumpled
and rusty, zucchini felled by borers, tomatoes sparse
on the vines. But out in the perennial beds, there’s one last
blast of color: ignitions of goldenrod, flamboyant
asters, spiraling mums, all those flashy spikes waving
in the wind, conducting summer’s final notes.
The ornamental grasses have gone to seed, haloed
in the last light. Nights grow chilly, but the days
are still warm; I wear the sun like a shawl on my neck
and arms. Hundreds of blackbirds ribbon in, settle
in the trees, so many black leaves, then, just as suddenly,
they’re gone. This is autumn’s great Departure Gate,
and everyone, boarding passes in hand, waits
patiently in a long, long line.

 

by Barbara Crooker, first published in Spillway magazine

Wednesday, September 2, 2020

 

At the Pitch
by Maxine Kumin

If I could only live at the pitch
that is near madness, Eberhart wrote

but there was his wife Betty hanging onto
his coattails for dear life to the end of her life.

No one intervened when my mother’s brother’s
wife ran off with the new young rabbi

every woman in the congregation had a crush on.
They rose unleashed, fleeing west

into the sooty sky over Philadelphia
in a pillar of fire, at the pitch that is near madness

touching down in the outskirts of Pittsburgh.
Cleveland. Chicago. O westward!

O fornication! I was sixteen.
Eberhart had written his poem before

he sailed off to World War II and a boy
had just put his tongue in my mouth

which meant he could make
me do anything. No one

holding onto his coattails, no one onto my skirt
until my father switched on the back porch light.

 

“At the Pitch” by Maxine Kumin from Where I Live: New & Selected Poems.