December  On the fire escape, one stupid petunia still blooms, purple trumpet blowing high notes at the sky long after the rest of the band has packed up and gone home. By Sarah Freligh (Sad Math, Moon City Press)

Those Hours
by Joyce Sutphen

There were moments, hours even,
when it was clear what I

was meant to do, as if
a landscape had revealed itself

in the morning light.
I could see the road

plainly now, imagining myself
walking towards the distant mountains

like a pilgrim in the old stories—
ready to take on any danger,

hapless but always hopeful,
certain that my simple belief

in the light
would be enough.

Advice
by Ted Kooser

We go out of our way to get home,
getting lost in a rack of old clothing,
fainting in stairwells,
our pulses fluttering like moths.
We will always be
leaving our loves like old stoves
in abandoned apartments. Early in life
there are signals of how it will be—
we throw up the window one spring
and the window weights break from their ropes
and fall deep in the wall.

"Advice" from Flying at Night: Poems 1965-1985 by Ted Kooser

 

Seeing for a Moment

By Denise Levertov

 

I thought I was growing wings—

it was a cocoon.

I thought, now is the time to step   

into the fire—

it was deep water.

Eschatology is a word I learned

as a child: the study of Last Things;

facing my mirror—no longer young,

       the news—always of death,

       the dogs—rising from sleep and clamoring   

            and howling, howling,

nevertheless

I see for a moment   

that's not it: it is   

the First Things.

Word after word

floats through the glass.   

Towards me.

 

"Seeing for a Moment" from Oblique Prayers, by Denise Levertov

Mind Wanting More, by Holly J. Hughes 

Only a beige slat of sun
above the horizon, like a shade
pulled not quite down. Otherwise,
clouds. Sea rippled here and
there. Birds reluctant to fly.
The mind wants a shaft of sun to
stir the grey porridge of clouds,
an osprey to stitch sea to sky
with its barred wings, some dramatic
music: a symphony, perhaps
a Chinese gong.

But the mind always
wants more than it has—
one more bright day of sun,
one more clear night in bed
with the moon; one more hour
to get the words right; one
more chance for the heart in hiding
to emerge from its thicket
in dried grasses—as if this quiet day
with its tentative light weren't enough,
as if joy weren't strewn all around.

Holly J. Hughes, from Hold Fast (Empty Bowl Press, 2019)

Champion the Enemy’s Need
by Kim Stafford

Ask about your enemy's wounds and scars.
Seek his hidden cause of trouble.
Feed your enemy's children.
Learn their word for home.

Repair their well.
Learn their sorrow's history.
Trace their lineage of the good.
Ask them for a song.

Make tea. Break bread.

Kim Stafford, from Wild Honey, Tough Salt

Mimesis, by Fady Joudah My daughter                         wouldn’t hurt a spider That had nested Between her bicycle handles For two weeks She waited Until it left of its own accord If you tear down the web I said It will simply know This isn’t a place to call home And you’d get to go biking She said that’s how others Become refugees isn’t it?

Fady Joudah, “Mimesis” from Alight. Copyright © 2013 by Fady Joudah.

 My Picture Left in Scotland, by Ben Jonson

 

I now think Love is rather deaf than blind,

For else it could not be

That she,

Whom I adore so much, should so slight me

And cast my love behind.

I'm sure my language to her was as sweet,

And every close did meet

In sentence of as subtle feet,

As hath the youngest He

That sits in shadow of Apollo's tree.

O, but my conscious fears,

That fly my thoughts between,

Tell me that she hath seen

My hundred of gray hairs,

Told seven and forty years

Read so much waste, as she cannot embrace

My mountain belly and my rocky face;

And all these through her eyes have stopp'd her ears.

The courage that my mother had     by Edna St. Vincent Millay

 The courage that my mother had
Went with her, and is with her still:
Rock from New England quarried;
Now granite in a granite hill.

 

The golden brooch my mother wore
She left behind for me to wear;
I have no thing I treasure more:
Yet, it is something I could spare.

 

Oh, if instead she’d left to me
The thing she took into the grave!—
That courage like a rock, which she
Has no more need of, and I have.

Good-by and Keep Cold

Robert Frost

This saying good-by on the edge of the dark

And the cold to an orchard so young in the bark

Reminds me of all that can happen to harm

An orchard away at the end of the farm

All winter, cut off by a hill from the house.

I don't want it girdled by rabbit and mouse,

I don't want it dreamily nibbled for browse

By deer, and I don't want it budded by grouse.

(If certain it wouldn't be idle to call

I'd summon grouse, rabbit, and deer to the wall

And warn them away with a stick for a gun.)

I don't want it stirred by the heat of the sun.

(We made it secure against being, I hope,

By setting it out on a northerly slope.)

No orchard's the worse for the wintriest storm;

But one thing about it, it mustn't get warm.

"How often already you've had to be told,

Keep cold, young orchard. Good-by and keep cold.

Dread fifty above more than fifty below."

I have to be gone for a season or so.

My business awhile is with different trees,

Less carefully nourished, less fruitful than these,

And such as is done to their wood with an ax—

Maples and birches and tamaracks.

I wish I could promise to lie in the night

And think of an orchard's arboreal plight

When slowly (and nobody comes with a light)

Its heart sinks lower under the sod.

But something has to be left to God.

 

Alone

by Edgar Allan Poe

 

From childhood’s hour I have not been

As others were—I have not seen

As others saw—I could not bring

My passions from a common spring—

From the same source I have not taken

My sorrow—I could not awaken

My heart to joy at the same tone—

And all I lov’d—I lov’d alone—

Then—in my childhood—in the dawn

Of a most stormy life—was drawn

>From ev’ry depth of good and ill

The mystery which binds me still—

From the torrent, or the fountain—

From the red cliff of the mountain—

From the sun that ’round me roll’d

In its autumn tint of gold—

From the lightning in the sky

As it pass’d me flying by—

From the thunder, and the storm—

And the cloud that took the form

(When the rest of Heaven was blue)

Of a demon in my view—

To the New Year

by W. S. Merwin

 

With what stillness at last

you appear in the valley

your first sunlight reaching down

to touch the tips of a few

high leaves that do not stir

as though they had not noticed

and did not know you at all

then the voice of a dove calls

from far away in itself

to the hush of the morning

so this is the sound of you

here and now whether or not

anyone hears it this is

where we have come with our age

our knowledge such as it is

and our hopes such as they are

invisible before us

untouched and still possible

 

M. S. Merwin, from the book, Present Company

Copper Canyon Press, 2005

Burning the Old Year by Naomi Shehab Nye Letters swallow themselves in seconds.    Notes friends tied to the doorknob,    transparent scarlet paper, sizzle like moth wings, marry the air. So much of any year is flammable,    lists of vegetables, partial poems.    Orange swirling flame of days,    so little is a stone. Where there was something and suddenly isn’t,    an absence shouts, celebrates, leaves a space.    I begin again with the smallest numbers. Quick dance, shuffle of losses and leaves,    only the things I didn’t do    crackle after the blazing dies.

Naomi Shihab Nye, “Burning the Old Year” from Words Under the Words: Selected Poems (Portland, Oregon: Far Corner Books, 1995).

Choices by Tess Gallagher I go to the mountain side of the house to cut saplings, and clear a view to snow on the mountain. But when I look up, saw in hand, I see a nest clutched in the uppermost branches. I don’t cut that one. I don’t cut the others either. Suddenly, in every tree,    an unseen nest where a mountain    would be.                          for Drago Štambuk

Tess Gallagher, "Choices" from Midnight Lantern: New and Selected Poems. Copyright © 2011 by Tess Gallagher.

At a Window       by Carl Sandburg

Give me hunger,
O you gods that sit and give
The world its orders.
Give me hunger, pain and want,
Shut me out with shame and failure
From your doors of gold and fame,
Give me your shabbiest, weariest hunger!

 

But leave me a little love,
A voice to speak to me in the day end,
A hand to touch me in the dark room
Breaking the long loneliness.
In the dusk of day-shapes
Blurring the sunset,
One little wandering, western star
Thrust out from the changing shores of shadow.
Let me go to the window,
Watch there the day-shapes of dusk
And wait and know the coming
Of a little love.

(Carl Sandburg, public domain)

 

The Bench

It's all like a bad riddle, our widow friend
said at the time.  If a tree falls in the woods
and kills your husband, what can you build from it?
That she was speaking quite literally
we did not know until the day months later
the bench arrived, filling that foyer space
in the house the neighbors pitched in to finish.

She'd done it, she said, for the sake of the boys,
and was never more sure of her purpose
than when they were off, playing in the woods
their father loved, somewhere out of earshot
and she would be struggling in with groceries.
For her, it was mostly a place to rest
such a weight, where other arms might have reached

to lift what they could.  Or like the time we knocked
at her door, and finding it just ajar,
cautiously entered the sunstruck hallway,
and saw her sitting there staring into space,
before she heard our steps and caught herself,
turning smiling toward us, a book left
lying open on the bench beside her.

by Peter Schmitt from his book, Renewing the Vows.

 

Sonnet for September 27th          by Jack Prelutsky

 

 

How wonderful that you have recognized

That poetry for children has great worth,

And is a part of being civilized,

Of being human on our planet Earth.

Soon after people first began to speak,

They put their thoughts and feeling into rhyme.

In this they were, and we are now, unique,

And may be so until the end of time.

We celebrate, upon this autumn night

That fledgling of the literary arts

Which crafts its words with wonder and delight

To open children’s minds and touch their hearts.

With gratitude, and true humility,

I thank you all for being here with me.

We Wear the Mask       by Paul Laurence Dunbar

We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,—

This debt we pay to human guile;

With torn and bleeding hearts we smile,

And mouth with myriad subtleties.

Why should the world be over-wise,

In counting all our tears and sighs?

Nay, let them only see us, while

       We wear the mask.

We smile, but, O great Christ, our cries

To thee from tortured souls arise.

We sing, but oh the clay is vile

Beneath our feet, and long the mile;

But let the world dream otherwise,

       We wear the mask!

(I remember hearing Maya Angelou

recite this poem.  She started proudly

and ended in tears, as did her listeners!)

To Autumn        by John Keats

 

Season of mists and mellow fruitfulness,

   Close bosom-friend of the maturing sun;

Conspiring with him how to load and bless

   With fruit the vines that round the thatch-eves run;

To bend with apples the moss'd cottage-trees,

   And fill all fruit with ripeness to the core;

      To swell the gourd, and plump the hazel shells

   With a sweet kernel; to set budding more,

And still more, later flowers for the bees,

Until they think warm days will never cease,

      For summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid thy store?

   Sometimes whoever seeks abroad may find

Thee sitting careless on a granary floor,

   Thy hair soft-lifted by the winnowing wind;

Or on a half-reap'd furrow sound asleep,

   Drows'd with the fume of poppies, while thy hook

      Spares the next swath and all its twined flowers:

And sometimes like a gleaner thou dost keep

   Steady thy laden head across a brook;

   Or by a cyder-press, with patient look,

      Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, Where are they?

   Think not of them, thou hast thy music too,—

While barred clouds bloom the soft-dying day,

   And touch the stubble-plains with rosy hue;

Then in a wailful choir the small gnats mourn

   Among the river sallows, borne aloft

      Or sinking as the light wind lives or dies;

And full-grown lambs loud bleat from hilly bourn;

   Hedge-crickets sing; and now with treble soft

   The red-breast whistles from a garden-croft;

      And gathering swallows twitter in the skies.

The birthday of the world, by Marge Piercy

On the birthday of the world

I begin to contemplate

what I have done and left

undone, but this year

not so much rebuilding

of my perennially damaged

psyche, shoring up eroding

friendships, digging out

stumps of old resentments

that refuse to rot on their own.

No, this year I want to call

myself to task for what

I have done and not done

for peace. How much have

I dared in opposition?

How much have I put

on the line for freedom?

For mine and others?

As these freedoms are pared,

sliced and diced, where

have I spoken out? Who

have I tried to move? In

this holy season, I stand

self-convicted of sloth

in a time when lies choke

the mind and rhetoric

bends reason to slithering

choking pythons. Here

I stand before the gates

opening, the fire dazzling

my eyes, and as I approach

what judges me, I judge

myself. Give me weapons

of minute destruction. Let

my words turn into sparks.

from The Crooked Inheritance (2006, Marge Piercy, Alfred A. Knopf, publisher)

Wild Peaches, by Elinor Wylie  1  When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot.                                   2  The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear.                                   3  When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback.                                   4  Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.